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Here are all the paintings of Andrea Appiani 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 44247 |
 |
Allegory on the Peace of Pressburg |
1808
Oil on wood,
38 x 46 cm |
| 44236 |
 |
General Desaix |
1800-01
Oil on canvas,
115 x 88 cm |
| 79180 |
 |
Madame Hamelin |
1798(1798)
Oil on canvas
Width: 0.55 m (0.6 yd). Height: 0.7 m (0.8 yd).
cjr |
| 90849 |
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Portrait de l'Imperatrice Josephine |
oil on canvas
Français : Huile sur toile
Dimensions 98.5 x 74.5 cm (38.8 x 29.3 in)
cyf |
| 80518 |
 |
Portrait de Nicolas, comte Frochot |
1806(1806)
Medium Oil on canvas
Dimensions 99.5 x 74 cm (39.2 x 29.1 in)
cyf |
| 79828 |
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Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan |
1806(1806)
Oil on canvas
99.5 x 74 cm (39.2 x 29.1 in)
cjr |
| 79834 |
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Portrat des Napoleon |
1805(1805)
Oil on canvas
100 x 75 cm (39.4 x 29.5 in)
cjr |
| 32617 |
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Recreation by our Gallery |
mk79
About |
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| Andrea Appiani
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| Italian Neoclassical Painter, 1754-1817
was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.
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All the Alma Tadema's Oil Paintings
Supported by oil paintings and picture frames
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